Few artists reach the milestone of ten studio albums. Fewer still are actually at the peak of their powers when they do so. Unfortunately for rock chronologists and obsessive fans alike, David Bowie is able to remember little about the genesis of this remarkable record. Its story is nevertheless an interesting one and serves to chart the transitional process between Bowie the chart smash and the artist responsible for the imperious Berlin trilogy of ‘Low‘, ‘”Heroes“‘ and ‘Lodger‘.
In the time prior to recording, Bowie was inhabiting the character of Thomas Jerome Newton for Nicolas Roeg‘s film, ‘The Man Who Fell To Earth’. Newton, an extra-terrestrial obsessed with television, was one of his most striking roles. While far less flamboyant than Ziggy, Newton’s haunting appearance is an entirely apt representation of Bowie at this stage in his career. Indeed, he admitted to hanging onto this character for months after filming and images from the shoot adorn the cover of both this album and its successor, ‘Low‘. From this grew The Thin White Duke, the last of Bowie’s adopted personae in the Seventies, whose monochrome attire dominated press photos and tours surrounding this record. Read the rest of this entry »