The first issue of Word Magazine appeared in February 2003, visually arresting with its Nick Cave cover and little flap telling you more about the contents and seemingly an alternative take on music journalism. To a certain extent, it has remained true to that purpose, although it’s far less revolutionary than it thinks it is. Having said that, I suspect I will be a reader forever, even if quality control slips, as it was the esteemed organ in which I got my first shot at reviewing. Paul Du Noyer and Jude Rogers ensured that I was kept in a healthy supply of free CDs but never quite comfortable enough to presume I would automatically get in the next issue. After some three and a half years of reasonably regular column inches, I was quietly jettisoned without explanation. The range of reviewers slowly slimmed until the very latest issue of the now definite-article enhanced, and New Stateman aping (in shape, if not content) The Word hit the shops last week. Now, only the big five or six reviews are farmed out to their top writers, while the smaller reviews are all done in house. Amongst those few ‘big’ reviews this month, is a positive and wisely argued piece on the new Massive Attack album ‘Heligoland’. Why is this relevant? That first issue had much the same space dedicated to ‘100th Window’ by the very same band. It did a fine job of putting the album in context for me and, reading about another music fan’s struggle to get their head around the music, it helped me to get to grips with what was, essentially, an underwhelming release from an extraordinary band. The ever-engaging Andrew Harrison described the record as “difficult to get into, but hard to get out of too,” and I soon knew what he meant.
I became strangely obsessed with ‘cracking’ this album. I was sure that my initial sense of it as something cold and uninviting was down to a lack of familiarity and that, if I made the effort, it would all soon slot into place. I spent numerous glum National Express journeys poring over those nine tracks, my decrepit CD walkman rarely having anything else for company. Listening to it now, it’s hard not to think of the, frankly shit, emotions associated with that period in my life. What also comes to mind though is the fact that I never reached a conclusion. I just stopped listening to it at some point and never really went back. I don’t remember deciding it was crap but I don’t remember deciding it wasn’t, either. It just dropped off the radar and sat on the shelf gathering dust.
Returning to ‘100th Window’ this week has been a chore. Knowing that they have since produced a record a truly wonderful as ‘Heligoland’ makes this whole period of Massive Attack’s history stick in the throat a little. The corrupted soul and rhythmic cunning of their new album makes the autistically insular paranoia of ‘100th Window’ seem so utterly benign that it takes a concerted effort just to make it through to the end.
Sinead O’Connor’s appearances can be discounted without much effort. ‘What Your Soul Sings’ and ‘A Prayer For England’ are horribly jarring, whiny and utterly lacking in character. Yes, she’s absolutely recognisable, but then so are Piers Morgan and chronic flatulence. Horace Andy attempts to polish a turd with ‘Everywhen’ and ‘Name Taken’ but then I couldn’t hum either of these back to you right now. The tracks on which 3D takes lead vocals are a mixed bag, ‘Butterfly Caught’ and ‘Future Proof’ standing tallest and actually meriting repeat listens, but, fuck me, there must be easier ways to keep your ears entertained. Piers Morgan with chronic flatulence, perhaps?
I am now actually more disparaging about this album as a result of ‘Heligoland’. At the time of its release, ‘100th Window’ was the Massive Attack album we’d been waiting five years for. It was our duty to train ourselves until we liked it. It wasn’t them, it was us. Except it wasn’t. It was a blip. It’s the soundtrack at a wake for a few motherboards and a failed attempt to graft on some much needed RAM.
Oh, and before anyone emails telling me I’ve screwed up, the picture above deliberately links to ‘Heligoland’. I wouldn’t want anyone to put themselves through ‘100th Window’ on my account.