A little late with these, but here are this month’s Clash appearances. There’s also a splendid double page piece on David Bowie’s masterwork, ‘Station To Station’, but I’ll refrain from posting it just now as you can all purchase the magazine at the moment, should you wish to read it.
IRON & WINE – ‘Kiss Each Other Clean’ (4AD)
If some voices are like Marmite – you love them or you hate them – then Sam Beam’s is like chocolate – velvety, rich and comfortingly familiar. After the broader sonic palette of ‘The Shepherd’s Dog’, this is rather more conventional fare, ‘Tree By The River’ joining the Iron & wine cannon of beautiful lullabies. Less folksy, more funky, ‘Kiss Each Other Clean’ is a rather more lively, sometimes even poppy record. Even with increased early-Seventies polish, a song like ‘Godless Brother In Love’ serves to demonstrate Beam’s majestic knack for melody, his mellifluous vocal left to drift atop twinkling harp and piano. 8/10
This one has continued to delight and captivate since I wrote this back when it was all snowy at the start of December. There is a much longer, and frankly more insightful, review of this which I’ve written for the Rise website which will be going live any day now. I’ll cross post it here in due course but take my word for it, you’ll be wanting this one. It’s less jarring than aspects of the last one could be and with flashes of the laidback beauty of ‘Our Endless Numbered Days’.
THE DECEMBERISTS – ‘The King Is Dead’ (ROUGH TRADE)
There are times during this record when it’s hard not to be reminded of R.E.M. in full jangle mode. Think somewhere between ‘Green’ and ‘Out Of Time’ and you’ll not be far wrong. But who’s that in the corner? Why, it’s Peter Buck, who plays on three tracks and makes the audible link a little easier to understand. Shorn of the extravagance of ‘The Hazards Of Love’ and harking back to the relative simplicity of ‘Picaresque’, this latest offering is a finessed folk-rock record to bring a little taste of long summer evening drives to the glacial January gloom. 7/10
Again, there is an extended version of this available which also graces said record shop’s website. All in good time, all in good time. However, I think this one pretty much captures the spirit of the record. There are better Decemberists albums available and there are far stranger Decemberists albums available but, is it a worthy addition to their catalogue? Absolutely. A fabulously warm sound to this one and plenty of uplifting sing-song moments.
JOAN AS POLICE WOMAN – ‘The Deep Field’ (PLAY IT AGAIN SAM)
No difficult third album syndrome for Joan Wasser, building on the sublime and slinky soulful rock which made parts of ‘To Survive’ such a delight to hear. A deceptively textured musical backdrop is, nevertheless, left to play second fiddle to consistently remarkable vocals. Album stand-out ‘Human Condition’, all hand claps and whirling bass, is destined for discerning Sunday morning soundtracks. 7/10
I couldn’t help but laugh when I saw the printed version of this one. Clearly, one of the longer reviews had fallen through at the last minute as this text (60 words – one of the small pieces down the side) has been expanded into a 100 worder by splicing new phrases in amongst mine. I think it’s fairly clear that it’s not one voice speaking! Anyway, self-promotion aside, this is a slow-burner, I suspect, and will likely sound a lot better during long summer evenings. I do wish she could keep some of the songs a little nearer three than five minutes, mind you.