I had a moment recently when, revisiting various records to consider the finer points of assembling this year’s list, I realised just how tremendous Tom Williams‘ voice is. This sounds slightly ridiculous with both of his previous albums having registered in their respective end of year countdowns and my not exactly minimal enthusing about the band since I first featured them on here back in the summer of 2009. However, you know how sometimes something just catches you off guard and everything stops, leaving you focusing on nothing else? Well, such was the case with ‘Satellite‘, the fourth track on ‘Easy Fantastic‘. Williams’ delivery can seem laid back, even slightly reluctant at times, but that is to miss the point. His voice is a wonderfully emotive instrument, conveying so much with the tiniest upward inflection, elongated vowel or gentle shift in emphasis. That song in particular feels like a master at work, letting out his feelings with meticulous control. It’s a quite remarkable song and as good a point as any for you to begin with the band’s third album.
That Tom Williams & The Boat are students of, if you’ll forgive the hoary old cliché, ‘the golden age of rock’ is blindingly obvious, but the deployment of such influences is gently endearing rather than wearingly predictable. The fondness for Springsteen and Bowie is in there, but their sound is far broader than that. The standout (theoretically, at least) chart-friendly vintage rock of ‘All Day’, replete with falsetto backups, may have grabbed plenty of the attention to date, but it’s Williams’ often painfully blunt lyrics that make ‘Easy Fantastic’ worthy of multiple visits. Take ‘25’, the album’s most claustrophobically malevolent track, which hinges on the curiously fatigued line “25 and still alive and I ain’t finished yet.” The vivid narratives are the band’s great strength, but the melodies are increasingly up to the challenge.
Despite their second outing, ‘Teenage Blood‘, also, entirely coincidentally, making 27th spot in my 2012 countdown, this is their finest release to date. Having built a strong relationship with their fans and leading the way in terms of how to harness the power of PledgeMusic to put your music out there, The Boat have carved out their little corner of the world. And yet, I can’t help wondering if they’re just one fortuitous break away from being huge. The knack for a dazzling chorus, distinctive vocals and consistent ability to build a genuinely captivating mood across a record strike me as qualities that plenty of people should be finding attractive. I’ll be writing about far more obscure records in this list and some that are households names, but ‘Easy Fantastic‘ is right up there on the list of albums I hope people give a chance and end up falling in love with. Do let me know if such a fairytale unfurls.