Vinyl Junkies moves on

I’ve been doing this for about five years now under the name ‘Vinyl Junkies’. That site is looking quite tired now and the name is a little confusing as people think it refers to either a record shop in London or some club night or other. As much as I love vinyl, and I really do, the main thing I write about is music, not the format. And so, ‘Just Played’ is born. The logic being, I’ll dash here to write about something exciting that I’ve just played. Simple really.

I’m hoping that the regular readers of ‘Vinyl Junkies’ will come and join me here and that some new folk, not necessarily fans of vinyl, may also pitched up and join in the fun. Feel free, if saying that out loud to add some air quotes to the word fun. It’ll make you look a bit of a tit, but it’ll make that sentence more accurate.

I’d love to say that the writing will become far less shambolic from here on in, but this is pretty much all you’ll ever get. To get in touch either comment at the bottom of any post that takes your fancy or you can email justplayed@hotmail.co.uk

Oh, the many words for Bono

Well, it looks like I’ve found somewhere else to spout about records on a monthly basis after a lengthy hiatus. May say a little more when it’s confirmed. It’s a nice feeling anyway, after a couple of years of not being able to say, "I’m in WH Smith" to loved ones, friends and bemused strangers.

Anyway, it looks like I’ll need to be even more concise with my words than I used to be. As if trying to write about music wasn’t difficult enough in the first place, this is a right bugger because it pretty much guarantees that you can’t set the scene. So, in an attempt to get myself back into old habits, I present the first offerings in a terribly exciting selection of 20 words reviews. Feel free to contribute some yourself. It might even be fun.

 

The Divine ComedyRegeneration

National Express man loses orchestra, suit and raised eyebrow but gains long hair, weird noises and Godrich production. Oddly undervalued.

 

The Divine ComedyAbsent Friends

National Express man regains orchestra, suit and raised eyebrow but loses sense of fun and retreads past to limited effect.

 

Blur Think Tank

Not much Graham, too much Fatboy Slim. Often chilled, sometimes heartbreaking and – whisper it now – actually Blur’s best album yet.

 

U2No Line On The Horizon

Crap. Cack. Shit. Toss. Balls. Plop. Shite. Icky. Smug. Piffle. Cobblers. Codshit. And, just for variety like, absolute smoldering arse.

 

Suddenly that two years hiatus makes sense, doesn’t it?

It’s like buses

Good old Graham Coxon. Not only is he a member of one of the greatest bands of recent times, creator of one of the early contenders for 2009’s album of the year and one of the few musicians willing to contribute honestly and openly to online discussion boards, but he’s pioneering exciting and alternative ways to make money out of music. As huge fans of music, this can only be pleasing news for us, as the more that musicians develop ways to make releasing tunes into the current climate viable, the more great music we’ll continue to be graced with.

Coxon’s new single, ‘Sorrow’s Army’, is available in one format only. An art print. Ok, that art print comes with a download code for that track, but the release itself is something you can’t actually play. The print itself is rather lovely (click to see the image, as uploaded by ‘salmon’ from the Blur forum) and sets you back £4-£5 depending on where you purchase it from. Not bad for an art print and it’s worth remembering that the song on its own would have sold for 79p. Not a bad mark up. Naturally, art prints aren’t suddenly going to become the format du jour, but it’s a great example of an artist adapting to the rapidly changing commercial nature of music selling. Graham’s fans all seem pretty chuffed with the item and it’ll be raking in the cash for his record label. It’s certainly a more appealing alternative format than the USB releases that Keane and Ed Harcourt have attempted of late and, while I’d never have considered buying ‘Sorrow’s Army’ as a single, having already purchased the rather splendid album, ‘The Spinning Top’, my five quid went winging its way to Transgressive Records quicker than, well, much quicker than they actually sent the bloody thing, but we won’t dwell on that.

This seems like a good time to mention just how utterly terrific his new album is. I’m not sure what I was expecting from it – certainly not what I got. The Record Store Day exclusive 10" of ‘In The Morning’ gave a pretty decent indicator, with eight minutes of acoustic splendour, gentle vocals and a delicate touch not normally associated with solo Coxon.

Two immediate highlights are the aforementioned, ‘In The Morning’, and ‘Look Into The Light’. Listen to both below.

See? Now go and buy the album.

What, you need more convincing and a more persuasive pitch?

‘The Spinning Top’ is Graham’s masterpiece, lengthy but enthralling, beautifully sung and exquisitely rendered. There are touches of Nick Drake, particularly on ‘Look Into The Light’, and, as he’s explained in numerous interviews, the music of Davey Graham sent him off in this direction in the first place. Gently affecting, hugely understated and unlikely to immediately strike you as a stone cold classic, ‘The Spinning Top’ slowly abducts each and every heart string until suddenly the one, almighty tug brings you on side and from that point onwards there’s no looking back.

Now go and buy the album.

It will make you spend more. Be advised.

Long time readers of this blog will remember how I used to get ever so slightly too excited about Bank Holiday Monday trips to my local indie emporium when, with literally no logic to back this up, I used to spend with impunity, somehow convincing myself that money spent on a bank holiday doesn’t count. Actually, now I think about it, what with it being a day when banks have a holiday, that’s not quite such an idiotic idea. Still quite an idiotic idea, mind.

Anyway, said days are long since gone, what with most of the record stores in the whole world having closed down. I’m now left to take my chances with whatever I can find. And so I found myself in a hotel in Derby this morning, flicking through boxes of mainly second-hand vinyl. Most of it, it must be said, was toss. If you ever need a battered copy of any Tina Turner album, a record fair’s the place for you. In fact, if you ever need seventeen battered copies of any Tina Turner album, a record fair’s the place for you. Sadly, it also appears to be the place for people who get so lost in the supermarket that they never quite find the aisles for soap and deodorant. Sadly, despite the late, great Joe’s claim, they can still shop happily. Still, there should be a little corner of the world for everybody and, just like the New Year Sale in HMV is the place for the chronically flatulent, record fairs seem to be the place for the slightly unwashed.

Not me, I hasten to add. I smell perfectly fine, thanks. Anyway, after flicking through the aforementioned tat, I alighted upon a stall selling new stuff. It dawned on me how infrequently I actually get to physically hand over the cash for vinyl these days. The charming bloke I ended up buying a few records from, whose name I can’t remember – something like Dave, told me that the record-selling business is so shit these days that he’s just resorted to record fairs and “my Vauxhall Cavalier.” As a result of these circumstances, most of my record buying occurs online. Not through choice, so much as lack of options.

This neatly dovetails with a request from a rather splendid chap (who has recently directed people to this site from his own rather fine corner of the interweb) for a general guide to picking up vinyl at decent prices. So, provided you don’t all start buying everything I want before I can get it, I present:

The Just Played guide to buying vinyl

I know, imaginative title, eh?

1. Indie stores online

First and foremost, if you’re after new release vinyl that isn’t just the latest overly-loud, overly-pompous and overly… well, shit, U2 album then you’ll need to identify a few indie retailers who cater for tastes similar to yours.

My chosen benefactors are the splendid people at Norman Records, who I’ve mentioned previously.

normanrecords-logo-white

They stock pretty much all the new release stuff you could wish for and, almost always, at the best price you’ll find online. They ship the items in very sturdy packaging and turn around orders pronto. Their communication is second to none and often rather amusing. Decent sized orders tend to come with a few sweet – works for me – and they publish weekly reviews of an irreverent nature which carry the following advisory message:

Warning: stay away if you’re going to be all offended by us slagging off your favourite artist. We reserve the right to hold an opinion!

The one thing to bear in mind is postage. Vinyl is heavy and bulky and will always require a few quid bunged on top of your order. That said, order more than £50 worth in one go and shipping is free!

There are a few other indie retailers I frequent:

action

Action Records – The shop in Preston is lovely, the web service is quick and pretty competitively priced. I use them for reasonably recent back catalogue stuff. If you’re after something from the last five years, and it’s not already super-rare, Action are a good bet.

what

What Records – Now online only. Vast stock, lots of upfront listings in order to ensure you can get hold of very limited pressings and very secure shipping. Neither particularly keen on obscure stuff nor the cheapest, What is pretty dependable for the rare stuff.

boomkat_logo

Leaning more towards electronic music than Norm, but covering similar ground, Boomkat is another place to go to for the very limited indie store only pressings and it also does a nice line in flac downloads – not that that’s what this post is meant to promote!

2. Catching the big boys getting it wrong

I do so love benefiting from a mis-price by Amazon or HMV. It’s double satisfying: knowing you get a bargain and that bargain is directly linked to one of the indie-slayers not making so much money. As a technique, it only really works on pre-orders and you’ll need to get in early. Online retailers, or etailers if you will, try to outdo each other in terms of getting things listed first in a bid to get extra sales. As a result, this doesn’t always lead to entirely accurate listings. HMV listed the Oasis vinyl box set for ‘Stop The Clocks’ as a single vinyl at £12.99 delivered for a month. Amazon were gladly flogging the recent Aidan Moffat and the Best Ofs vinyl/CD/bonus CD/7″/Valentine’s Card/board game box set as a piece of single vinyl at £13.69 delivered. Peter Doherty‘s ‘Grace/Wastelands‘ vinyl pressing was £7.98, the same as the CD, delivered for a month. It’s all about luck and it’s not a guaranteed route to bargains, but it throws up some decent stuff.

3. Caiman on Amazon Marketplace

If it’s an album that’s getting a release in the US, then a good source of cheap, new vinyl is Caiman USA, Caiman Zone, Caiman Bargain or whatever they’re calling themselves at the exact moment when you order. Often charging £8-9 per item, with the stock £1.24 postage on top of that, you can get some real bargains. They tend not to list items until a week or two after release, and those prices don’t stay around for long, but they’re worth checking for on most new releases.

As for second hand stuff, I can’t really offer much more than you already know. Track down your nearest second-hand retailer, keep an eye on eBay auctions that finish in less ‘busy’ times and search via places like Gemm and Musicstack. That said, car boot sales and record fairs remain the best places to pick up second-hand bargains.

Feel free to leave a comment correcting me, adding extra info or simply sharing your experiences. I enjoy reading about this sort of stuff, honest!

Oh, one last thing. I write a reasonably well-followed blog (which has already been visited by the rather splendid Thomas Pugwash) and yet I’ve not been sent a promo of The Duckworth Lewis Method‘s new album to review. I’m quite hurt. That said, a rather positive review will be appearing at the aforementioned splendid chap’s aforementioned site shortly.

 

Some thoughts

The new Pet Shop Boys album, ‘Yes’, sounds utterly tremendous on vinyl.

It’s not too shabby on CD either, like.

The Maximo Park album is not as bad as it first seems but not as it good as it really should be.

2009 already has rather a lot of top notch albums:

  • Super Furry AnimalsDark Days / Light Years
  • M. WardHold Time
  • Pet Shop BoysYes
  • Doves Kingdom Of Rust
  • Manic Street PreachersJournal For Plague Lovers
  • Graham CoxonThe Spinning Top
  • MadnessThe Liberty Of Norton Folgate
  • Trashcan SinatrasIn The Music
  • Lily AllenIt’s Not Me, It’s You

and there’s still stuff from Massive Attack, The Divine Comedy and Richard Hawley to come. Lovely.

Blur are back together and this particular Cinders is going to the ball. A bit giddy, truth be told. Listening to lots of b-sides at the moment. Those waltzy instrumental numbers are ace, aren’t they?

Apparently, Selectadisc isn’t dead. It’s been bought and will be back soon. Good.

Yet more proof that supermarkets are killing music. Fuckwits.

Northern Portrait are wonderful. I may well have said this before. Go and listen and then buy their EPs from the nice people at Matinee Records.

The new Maps single doesn’t sound like much at first, but after a while it takes over your head.

I know it’s in the list above, but you really do have to listen to the new Graham Coxon album. It’s beautiful.

The new Wilco album has a silly cover.

Doves are better live now than ever before. They’ve gone from being a slow band that does the odd fast one to being a fast band that does the odd slow one. I know, I know, that’s what they were in their previous incarnation, but still.

Mondays aren’t the same without Stewart Lee.

 

So, this, I guess, is what Twitter is like. Only, I’d have had to click submit after each and every mildy-interesting comment. How exciting!