BEST OF 2012: Dusted Off

What a year for reissues it has been, with several labels delivering an almost impolite run of quality and some bands getting the deluxe treatment. Paul McCartney‘s archive series continued with the staggeringly lovely ‘Ram’ boxset, with a genuinely interesting book, delicately reproduced photos and the album in stereo, mono and lounge jazz versions. It’s one of Macca’s finest and the box is something to cherish. A staggered release was awarded to Can‘s ‘The Lost Tapes‘, initially appearing as CD only and then as a far more expensive vinyl box ‘due to overwhelming demand’. Which, of course, they couldn’t have predicted. Nope. Making vinyl fans but twice was simply a quirk of fate. Honest. Luckily, the music is largely fantastic and this is not some excuse to peddle muffled, mono cassette recordings of crap demos. It might even prove quite a useful starting point for the uninitiated.

Elbow and Blur had their entire studio album catalogue popped back out on heavyweight vinyl this year, including a superb box for the former which had every album beautifully mastered on 2x45rpm vinyl. I believe it’s already becoming scarce. Don’t miss it. As for Blur, the vinyl mastering was largely great, but it was the ‘21‘ twenty one disc box which truly excited. Bonus tracks, b sides, rare footage and a gorgeous book made it one of my out and out highlights of the year. However, if you’re a Blur fan, you won’t need telling and if you’re not, I imagine 21 discs of them would feel like punching yourself in the face with a sharpened tent peg. Also, getting the vinyl treatment was the entire Beatles catalogue. There are those banging on about sources but, to these ears, they sound great. Bass is warm, voices are clear and drums are crisp. However, a word of caution. Quality control on the US vinyl is apparently significantly poorer than on the UK pressings, so purchase wisely.

One of the great pleasures of being a vinyl purchaser in 2012 was being on the receiving end of some of the most lovingly crafted, beautifully packaged and expertly researched reissues music fans have ever witnessed. Chief amongst the labels delivering such beauties are Light In The Attic. Having already delivered several essential Lee Hazlewood titles, the curious folky-funk of Donnie and Joe Emerson, a second Michael Chapman reissue, a stunning Wendy Rene overview, a double white vinyl set for the‘Searching For Sugarman’ soundtrack, a glorious Stax 7″ box set and the truly outstanding ‘Country Funk’compilation, the latest gem out of the pressing plants is ‘A Fire Somewhere’ by Ray Stinnett. Having sat, shelved and unreleased, for forty-two years, this is less a reissue and more an old new release.

Blessed with a country twang and a sprinkling of languid psych jams, this album is one likely to appeal to fans of everyone from Big Star through to Leonard Cohen. It has that timeless sound that LITA aficionados will by now be used to, sounding like a record you’ve always known by the time it gets its second spin, managing to tick the singer/songwriter box en route to some cosmic jams and pensive guitar licks. Stinnett’s vocals – a less wilfully obtuse Tim Buckley at times – are captivating, bending and lurching as each track requires. Lolloping country funk ballad, ‘Honey Suckle Song‘ is an absolute joy and will be on your next compilation, almost certainly. Having been promised by A&M that he would be a star, they took the curious decision of leaving the record to gather dust on the shelves and, until now, it hasn’t seen the light of the day. While there were many magnificent old ‘new’ records this year, this one deserves a nod more than most.

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